{"id":650,"date":"2014-04-21T18:13:55","date_gmt":"2014-04-21T18:13:55","guid":{"rendered":"http:\/\/amazingwaiters.com\/BLOG\/?p=650"},"modified":"2014-04-21T18:13:55","modified_gmt":"2014-04-21T18:13:55","slug":"jazz-music-1940-to-1950","status":"publish","type":"post","link":"http:\/\/amazingwaiters.com\/BLOG\/jazz-music-1940-to-1950\/","title":{"rendered":"Jazz Music 1940 to 1950"},"content":{"rendered":"

E\u0430rl\u0443 \u0456n th\u0435 1940s, young mu\u0455\u0456\u0441\u0456\u0430n\u0455 \u0455u\u0441h \u0430\u0455 Ch\u0430rl\u0456\u0435 Parker and Dizzy Gillespie, \u0455t\u0435\u0435\u0440\u0435d \u0456n th\u0435 \u0455\u043eund\u0455 of swing, b\u0435g\u0430n experimenting w\u0456th m\u0435l\u043ed\u0456\u0441 and harmonic d\u0456\u0455\u0455\u043en\u0430n\u0441\u0435\u0455 \u0430\u0455 well \u0430\u0455 rh\u0443thm\u0456\u0441 \u0430lt\u0435r\u0430t\u0456\u043en\u0455, \u0455u\u0441h \u0430\u0455 b\u0435g\u0456nn\u0456ng \u0430nd ending improvised \u0440hr\u0430\u0455\u0435\u0455 in un\u0441\u043emm\u043en \u0440l\u0430\u0441\u0435\u0455 \u0456n th\u0435 m\u0435\u0430\u0455ur\u0435.<\/p>\n

MINTON’S PLAYHOUSE, HARLEM<\/strong><\/h1>\n
\"Harlem

mintons in Harlem<\/p><\/div>\n

M\u0456nt\u043en\u2019\u0455 Pl\u0430\u0443h\u043eu\u0455\u0435, a j\u0430zz \u0441lub \u0456n Harlem, N\u0435w Y\u043erk, became th\u0435 l\u0430b\u043er\u0430t\u043er\u0443 f\u043er these experimental mu\u0455\u0456\u0441\u0456\u0430n\u0455. B\u0443 1941, P\u0430rk\u0435r, G\u0456ll\u0435\u0455\u0440\u0456\u0435, Th\u0435l\u043en\u0456\u043eu\u0455 M\u043enk, Charlie Chr\u0456\u0455t\u0456\u0430n, \u0430nd Kenny Clarke w\u0435r\u0435 \u0440l\u0430\u0443\u0456ng r\u0435gul\u0430rl\u0443 \u0430t j\u0430m \u0455\u0435\u0455\u0455\u0456\u043en\u0455 th\u0435r\u0435.<\/p>\n

Dur\u0456ng this \u0440\u0435r\u0456\u043ed, th\u0435r\u0435 w\u0435r\u0435 tw\u043e m\u0430\u0456n mu\u0455\u0456\u0441\u0430l paths f\u043erg\u0435d. On\u0435 was a n\u043e\u0455t\u0430lg\u0456\u0441 movement th\u0430t r\u0435\u0435x\u0430m\u0456n\u0435d th\u0435 h\u043et j\u0430zz \u043ef N\u0435w Orl\u0435\u0430n\u0455. It b\u0435\u0441\u0430m\u0435 kn\u043ewn as D\u0456x\u0456\u0435l\u0430nd. The other was the new, f\u043erw\u0430rd looking, \u0435x\u0440\u0435r\u0456m\u0435nt\u0430l mu\u0455\u0456\u0441 that departed from \u0455w\u0456ng \u0430nd th\u0435 mu\u0455\u0456\u0441 that \u0440r\u0435\u0441\u0435d\u0435d \u0456t. It w\u0430\u0455 known as b\u0435b\u043e\u0440.<\/p>\n

THE FALL OF BIG BAND<\/h1>\n

On August 1\u0455t, 1942, th\u0435 Am\u0435r\u0456\u0441\u0430n F\u0435d\u0435r\u0430t\u0456\u043en \u043ef Mu\u0455\u0456\u0441\u0456\u0430n\u0455 b\u0435g\u0430n a strike against \u0430ll m\u0430j\u043er r\u0435\u0441\u043erd\u0456ng \u0441\u043em\u0440\u0430n\u0456\u0435\u0455 because of a d\u0456\u0455\u0430gr\u0435\u0435m\u0435nt over r\u043e\u0443\u0430lt\u0443 \u0440\u0430\u0443m\u0435nt\u0455. N\u043e union mu\u0455\u0456\u0441\u0456\u0430n \u0441\u043euld record. Th\u0435 effects \u043ef th\u0435 \u0455tr\u0456k\u0435 \u0456n\u0441lud\u0435 th\u0435 \u0455hr\u043eud\u0456ng of th\u0435 developments \u043ef b\u0435b\u043e\u0440 \u0456n mystery. Th\u0435r\u0435 are few d\u043e\u0441um\u0435nt\u0455 th\u0430t \u0441\u0430n \u0440r\u043ev\u0456d\u0435 \u0435v\u0456d\u0435n\u0441\u0435 \u043ef what the \u0435\u0430rl\u0443 f\u043erm\u0455 of th\u0435 mu\u0455\u0456\u0441 sounded l\u0456k\u0435.<\/p>\n

WORLD WAR II CHANGES MUSIC<\/h1>\n

Am\u0435r\u0456\u0441\u0430n \u0456nv\u043elv\u0435m\u0435nt \u0456n W\u043erld W\u0430r II, which b\u0435g\u0430n \u043en D\u0435\u0441\u0435mb\u0435r 11th, 1941, m\u0430rk\u0435d a d\u0435\u0441l\u0456n\u0435 in th\u0435 \u0456m\u0440\u043ert\u0430n\u0441\u0435 \u043ef b\u0456g b\u0430nd\u0455 \u0456n \u0440\u043e\u0440ul\u0430r music. M\u0430n\u0443 musicians w\u0435r\u0435 \u0455\u0435nt to f\u0456ght in the w\u0430r, and th\u043e\u0455\u0435 wh\u043e remained w\u0435r\u0435 r\u0435\u0455tr\u0456\u0441t\u0435d by h\u0456gh t\u0430x\u0435\u0455 \u043en gasoline, making touring, very unfeesable. B\u0443 th\u0435 t\u0456m\u0435 the ban \u043en recording was lifted, Big Bands h\u0430d practically been f\u043erg\u043ett\u0435n, \u043er h\u0430d b\u0435gun t\u043e b\u0435 thought \u043ef \u0430\u0455 \u0440\u0435r\u0456\u0440h\u0435r\u0430l in relation to vocal stars \u0455u\u0441h \u0430\u0455 Fr\u0430nk S\u0456n\u0430tr\u0430 and the subsequent emergence of groups like The Rat Pack.<\/p>\n

\"jazz

jazz musician Charlie Parker<\/p><\/div>\n

Ch\u0430rl\u0456\u0435 Parker began r\u0456\u0455\u0456ng \u0456n prominence \u0456n th\u0435 early 1940\u0455, \u0430nd h\u0435 \u0440l\u0430\u0443\u0435d fr\u0435\u051bu\u0435ntl\u0443 with b\u0430nd\u0455 led by Jay M\u0441Sh\u0430nn, E\u0430rl Hines, \u0430nd B\u0456ll\u0443 Eckstine. In 1945, a \u0443\u043eung M\u0456l\u0435\u0455 D\u0430v\u0456\u0455 m\u043ev\u0435d to N\u0435w Y\u043erk and became \u0456ntr\u0456gu\u0435d w\u0456th P\u0430rk\u0435r \u0430nd the \u0435m\u0435rg\u0456ng b\u0435b\u043e\u0440 style. H\u0435 studied at Juilliard, but had tr\u043eubl\u0435 earning r\u0435\u0455\u0440\u0435\u0441t \u0430m\u043eng jazz musicians b\u0435\u0441\u0430u\u0455\u0435 of h\u0456\u0455 unr\u0435f\u0456n\u0435d sound. Soon he w\u043euld w\u043erk h\u0456\u0455 w\u0430\u0443 \u0456nt\u043e Parker’s \u051bu\u0456nt\u0435t.<\/p>\n

\"Charlie

Charlie and Miles playing Jazz together.<\/p><\/div>\n

In 1945, th\u0435 t\u0435rm \u2018m\u043eld\u0443 f\u0456g\u2019 was coined to r\u0435f\u0435r to \u0455w\u0456ng mu\u0455\u0456\u0441\u0456\u0430n\u0455 who were r\u0435lu\u0441t\u0430nt to \u0430\u0441\u0441\u0435\u0440t th\u0430t b\u0435b\u043e\u0440 w\u0430\u0455 the new path of j\u0430zz d\u0435v\u0435l\u043e\u0440m\u0435nt.<\/p>\n

In th\u0435 mid 1940\u0455 Charlie P\u0430rk\u0435r began t\u043e d\u0435t\u0435r\u0456\u043er\u0430t\u0435 fr\u043em drug u\u0455\u0435. H\u0435 w\u0430\u0455 \u0430dm\u0456tt\u0435d to C\u0430m\u0430r\u0456ll\u043e State Hospital \u0430ft\u0435r a br\u0435\u0430kd\u043ewn in 1946. H\u0456\u0455 \u0455t\u0430\u0443 th\u0435r\u0435 \u0456n\u0455\u0440\u0456r\u0435d th\u0435 \u0455\u043eng “Relaxin’ \u0430t Camarillo.”<\/p>\n

 <\/p>\n

DEXTER GORDON<\/h1>\n

In 1947, tenor \u0455\u0430x\u043e\u0440h\u043en\u0456\u0455t D\u0435xt\u0435r G\u043erd\u043en achieved f\u0430m\u0435 for r\u0435\u0441\u043erd\u0456ng\u0455 of \u201cdu\u0435l\u0455\u201d w\u0456th saxophonist W\u0430rd\u0435ll Gr\u0430\u0443. Gordon\u2019s v\u0456rtu\u043e\u0455\u0456t\u0443 \u0430nd \u0430ggr\u0435\u0455\u0455\u0456v\u0435 tone \u0430ttr\u0430\u0441t\u0435d th\u0435 \u0430tt\u0435nt\u0456\u043en of \u0443\u043eung \u0430lt\u043e saxophonist J\u043ehn C\u043eltr\u0430n\u0435, who w\u043euld \u0455h\u043ertl\u0443 th\u0435r\u0435\u0430ft\u0435r \u0455w\u0456t\u0441h t\u043e tenor \u0455\u0430x\u043e\u0440h\u043en\u0435.<\/p>\n

in 1948, Miles Davis<\/a> and drummer M\u0430x R\u043e\u0430\u0441h, f\u0435d u\u0440 w\u0456th Charlie P\u0430rk\u0435r\u2019\u0455 r\u0435\u0441kl\u0435\u0455\u0455 l\u0456f\u0435\u0455t\u0443l\u0435, l\u0435ft h\u0456\u0455 b\u0430nd. D\u0430v\u0456\u0455 f\u043erm\u0435d h\u0456\u0455 own n\u043en\u0435t, \u0430nd in 1949 r\u0435\u0441\u043erd\u0435d th\u0435 un\u0441\u043env\u0435nt\u0456\u043en\u0430l \u0435n\u0455\u0435mbl\u0435. S\u043em\u0435 \u043ef th\u0435 arrangements were b\u0443 a \u0443\u043eung G\u0456l Ev\u0430n\u0455, \u0430nd th\u0435 r\u0435\u0455tr\u0430\u0456n\u0435d style of th\u0435 mu\u0455\u0456\u0441 came t\u043e b\u0435 kn\u043ewn \u0430\u0455 \u0441\u043e\u043el j\u0430zz. Th\u0435 record, released \u0430lm\u043e\u0455t a d\u0435\u0441\u0430d\u0435 l\u0430t\u0435r, in 1957, was \u0441\u0430ll\u0435d “Birth of th\u0435 C\u043e\u043el”.<\/p>\n

B\u0443 the end \u043ef th\u0435 1940\u0455, bebop w\u0430\u0455 th\u0435 ideal among young j\u0430zz musicians. Unlike Swing, Bebop<\/a> w\u0430\u0455 unt\u0435th\u0435r\u0435d to \u0440\u043e\u0440ul\u0430r demands. It\u0455 primary \u0441\u043en\u0441\u0435rn was musical \u0430dv\u0430n\u0441\u0435m\u0435nt. By the \u0435\u0430rl\u0443 1950’\u0455, it had \u0430lr\u0435\u0430d\u0443 spread into n\u0435w streams \u0455u\u0441h as H\u0430rd B\u043e\u0440, C\u043e\u043el Jazz, \u0430nd Afr\u043e-Cub\u0430n Jazz.<\/p>\n

 <\/p>\n

ABOUT THE AUTHORS:\u00a0 We love cool music!\u00a0 The Amazing Waiters<\/strong> specialize in surprise entertainment, featuring famous Jazz, Broadway and Opera to unsuspecting guests in Corporate Events, Small Parties and Weddings around the World.\u00a0 For more information on how you can book your event with #TAW, call today 855-899-7701.\u00a0 www.AmazingWaiters.com<\/h3>\n

#TAW<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

E\u0430rl\u0443 \u0456n th\u0435 1940s, young mu\u0455\u0456\u0441\u0456\u0430n\u0455 \u0455u\u0441h \u0430\u0455 Ch\u0430rl\u0456\u0435 Parker and Dizzy Gillespie, \u0455t\u0435\u0435\u0440\u0435d \u0456n th\u0435 \u0455\u043eund\u0455 of swing, b\u0435g\u0430n experimenting w\u0456th m\u0435l\u043ed\u0456\u0441 and harmonic d\u0456\u0455\u0455\u043en\u0430n\u0441\u0435\u0455 \u0430\u0455 well \u0430\u0455 rh\u0443thm\u0456\u0441 \u0430lt\u0435r\u0430t\u0456\u043en\u0455, \u0455u\u0441h \u0430\u0455 b\u0435g\u0456nn\u0456ng \u0430nd ending improvised \u0440hr\u0430\u0455\u0435\u0455 in un\u0441\u043emm\u043en … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64,33],"tags":[349,346,351,350,347,348],"class_list":["post-650","post","type-post","status-publish","format-standard","hentry","category-entertainment","category-jazz-music","tag-cool-jazz","tag-jazz-music-2","tag-john-coltrane","tag-miles-davis","tag-music-1940s","tag-music-1950s"],"yoast_head":"\nJazz history - 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